William Wordsworth wrote about losing touch with nature in
his poem, “The World Is Too Much with Us.” He depicts his “reverence for
nature” when he brings back the ideology that the strength and power of the sea
is a god-like force in his reference to Proteus and Triton. He claims that
humans once had a bond with nature that during the Industrial Revolution in
England is slipping away. Pure forms of nature no longer move the human heart.
Wordsworth deeply regrets this claiming, “I’d rather be / A Pagan suckled in a
creed outworn.” In this statement, Wordsworth asserts he would rather remain
close to nature than follow the trends of civilization and society.
The poem “Caribe in Nueva York” written by Nathalie Handal
is set in the materialistic and industrial world that Wordsworth so hated.
However, while the narrator does not so boldly dislike the city, she to misses
nature. In this case, she misses the nature that is well known to her; she
“dream[s] of mangoes,” “can’t forget the sun on [her] back,” and “dream[s] of
la tierra / where we were born.” She appreciates the city and the opportunities
it has to offer, “we are spoiled here,” but she misses the nature that is most
well known to her.
Both poems pay homage to nature. Wordsworth focuses on
nature in comparison to the industrial societies of England, while Handal
writes about nature in the narrator’s home versus nature in New York. I find it
interesting how similar these two poems can be, yet still have such drastically
different viewpoints. In the first, Wordsworth mourns the public’s loss of the
appreciation of nature. In the more contemporary poem, the melancholy author
contemplates the loss of her own, more personal nature.
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